Lecture 8: Context Is King: Grammar, Cross-Reference, Genre, and the Customs Behind the Text

Dr. James Rosscup · The Master's Seminary · 90 minutes

Lecture by Dr. James Rosscup, from The Master's Seminary's public channel. Study notes below from Medina Community Church.

This session works outward in circles: from the grammar inside a verse, to the verses beside it, to the book it lives in, to the testament, to the whole Bible, and finally to the culture around it. Along the way Dr. Rosscup untangles the world God loves from the world we must not love, rescues the talents and the pounds from a famous scholar's charge of garbling, and shows why a text apart from its context is a pretext.

The lecture, section by section

  1. Grammar decides real debates

    Tense, voice, mood, and person are not trivia. In Romans 7 Paul speaks of the past in past tenses through verse 13, then switches to the present tense and stays there: interpreters divide over whether the struggle that follows is his pre-conversion deadlock or the believer's ongoing battle, and the tense switch is the evidence each side must weigh. The five participles hanging on be filled show the same lesson from Ephesians: grammar carries the command onward into singing, thanksgiving, and submission.

  2. The context of the whole Bible

    Because Scripture is one consistent book, a passage may be lit by texts far from it, and the same word may shift meaning between them. God so loved the world names the world of people he gave his Son for; love not the world names the Satan-headed system of values that leaves God out. Same Greek word, different senses, no contradiction: sensitivity to each context resolves what a concordance alone would tangle.

  3. The context of the testament

    Progressive revelation locates every passage in its own hour. Christ said I will build my church, future tense, and Acts shows the building begin; Hosea's readers could see corporate Israel in out of Egypt, not yet the individual Son. Interpreting inside the right testament keeps the interpreter from handing earlier readers light they did not have.

  4. The background of a city

    Historical appropriateness sharpens the picture to a particular place. Drunkenness at Ephesus had its connections in the city's pagan worship, recoverable from the journal literature; Philippi was a Roman colony with a garrison, a little Rome away from Rome, and Aristotle had taught his middle way in ethics only a few dozen miles off, background that colors Paul's call to let your sweet reasonableness be known to all. Babylon's walls ran thick enough for chariots abreast in Daniel's day and lay largely in rubble by Peter's; the same name, two different worlds.

  5. Outline the book: Ephesians as wealth, walk, and warfare

    The book is the next circle of context, so build its structure before preaching its verses. Ephesians spends three chapters on the believer's wealth and three on the walk and warfare: a walk in unity, in holiness, in love, in light, and then the Spirit-filled walk, its fullness in the command, its flow through congregation, home, and workplace, and its fight in the armor, saturated in prayer. The missionary Ruth Paxson, overwhelmed at dawn on the canyon rim, named Ephesians the Grand Canyon of the Scriptures.

  6. Tracing filled through its own book

    Within the book, trace the word. Fill appears in Ephesians 1:23, 3:19, and 4:10, and in every instance God or Christ does the filling; when 5:18 arrives, that pattern argues the filler is God the Holy Spirit, not the congregation's mood or the believer's own spirit. The book defines its own vocabulary when the interpreter lets it.

  7. Think the book through before you teach it

    First John says believers do not go on sinning, present tense, in chapter 3, and provides an advocate if anyone does sin, a different tense, in chapter 2, alongside the cleansing and confession of chapter 1. The tenses harmonize the whole: no habitual sweep of sin, honest provision for real failures. Rosscup recalls a professor who phoned mid-semester in a jam, having taught chapter 1 one way and then struck 3:6: the cure is thinking a book through, consistently, before the first lesson.

  8. Firstborn means supreme

    The Watchtower reads firstborn of all creation in Colossians 1:15 as created being. Psalm 89 answers in Hebrew parallelism: I will make him my firstborn, the highest of the kings of the earth, the same Greek word in the ancient version, where firstborn defines rank, dignity, supremacy, not sequence of birth. The immediate context agrees, presenting the image of God, and the whole letter preaches his lordship over all. A text apart from its context is a pretext; before all else fails, read the context.

  9. Real, apparent, and conceptual cross-references

    A verbal cross-reference shares a word; it is real only if it shares the idea, and world in John 3 and 1 John 2 proves the apparent kind. A conceptual cross-reference shares the idea under different words: the attendant realities of the Spirit-filled life in Ephesians 5 reappear almost line for line after let the word of Christ dwell in you richly in Colossians 3, suggesting the Spirit-filled life and the word-enriched life are one reality in two descriptions.

  10. Parallels and the reporters at the game

    True parallels, like the temptation accounts or the three tellings of Saul's conversion in Acts, differ as three honest reporters differ at one football game: varied details, no contradictions, a fuller account when combined. But seeming parallels can be different events: the talents of Matthew 25 and the pounds of Luke 19 come from different places, times, and structures, and the famous scholar who declared the writers garbled one parable read his own assumption into two distinct parables. Teachers reuse and reshape their material; the Gospels deserve the same freedom we grant ourselves.

  11. Finding the cross-reference

    The practical means: a concordance to lay out every occurrence for firsthand reading; a lexicon's classifications; the margins of a trustworthy Bible, weighed by careful hands, as Rosscup remembers the translators of the New American Standard laboring in a room at his old seminary; the growing treasury of one's own memory over years in the text; and the reference works matched to the reader's level.

  12. Literary mold: know your genre

    Ask what kind of literature the passage is: poetry thick with parallelism and figure, straightforward narrative, prophecy, parable, allegory like the vine, or typology like Melchizedek. The general principles apply everywhere, but the genre routes the interpreter to the special rules each literature requires, the parables, types, and prophecy the coming topics will take up.

  13. Manners and customs: veils, stones, and midnight bread

    Culture explains what texts assume. The veil, the dark, the feast's wine, and sheer surprise explain how Laban could foist Leah on Jacob; the white stone promised in Revelation 2:17 carries a half dozen candidate customs, from athletic tokens to the courtroom's stone of acquittal; the friend at midnight turns on village reputation, where refusing a neighbor's need would be all over town by morning. Geography joins in: the road truly goes down from Jerusalem to Jericho, and the rose of Sharon blooms in a real region of wildflowers. The richer the background, the nearer the hearer stands to the scene.

Each opens the chapter in your ESV app or on esv.org.

Concentric context
The circles around every verse: the immediate verses, the book, the testament, and the whole Bible, each with a claim on the interpretation.
Apparent cross-reference
Two passages sharing a word but not an idea, as the world God loves and the world not to be loved; context exposes the difference.
Conceptual cross-reference
Two passages sharing an idea under different words, as the Spirit-filled life of Ephesians 5 and the word-enriched life of Colossians 3.
Parallel accounts
True parallels differ like honest reporters at one event; seeming parallels, like the talents and the pounds, can be distinct events entirely.
Firstborn as rank
In Psalm 89's parallelism, firstborn means the highest of the kings of the earth: supremacy and dignity, not created origin, the answer to the Watchtower on Colossians 1:15.
Literary mold
The genre of a passage, narrative, poetry, prophecy, parable, type, which routes the interpreter to the special rules that literature requires.
A text apart from its context is a pretext
The lecture's watchword; before all else fails, read the context.

Fourteen questions from the lecture

Tap an answer. A wrong guess points you back to the outline; when all fourteen are right, the lecture is marked complete on this device.

1. What grammatical observation drives the debate over Romans 7?

2. How do John 3:16 and 1 John 2:15 use the same word world without contradiction?

3. What background colors Paul's words to Philippi?

4. What is the broad structure of Ephesians in the lecture's outline?

5. What does tracing fill through Ephesians establish?

6. How do the tenses harmonize First John on sin?

7. How does Psalm 89 define firstborn?

8. What makes a verbal cross-reference merely apparent?

9. What suggests the Spirit-filled life and the word-enriched life are one reality?

10. How does the lecture answer the claim that the talents and the pounds are one garbled parable?

11. What image describes the three accounts of Saul's conversion?

12. What does literary mold ask of a passage?

13. Which custom illuminates the friend at midnight?

14. What cultural factors help explain how Leah was foisted on Jacob?

All fourteen correct. Lecture 8 is complete.

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  1. God so loved the world; love not the world. Practice explaining the difference to someone in one minute, using only context, and notice how the exercise changes your confidence in Scripture's consistency.

  2. The professor's mid-semester jam came from teaching chapter 1 before thinking through chapter 3. Where might you be teaching, or believing, one passage in a way you have not squared with its own book?

  3. Rosscup traces the word walk from Ephesians 4:1 to 5:15 before ever landing on being filled. Take Sunday's text this week and read the whole chapter before it: what does the wider walk add?

One Verse to Carry

The watchword of the whole session, carried by Ephesians itself: walk worthy of the calling with which you were called. Every circle of context, from the verse to the whole Bible, serves that one walk.

The lecture's own commendations: Ruth Paxson's warm study of Ephesians, the Grand Canyon of the Scriptures, for the wealth, walk, and warfare; Peter O'Brien and F. F. Bruce on Colossians 1:15; Beckwith on Revelation for the white stone's candidate customs; a good Bible geography for Sharon and the Jericho road; and the concordance itself, for the firsthand acquaintance with passages no digest can replace.

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